四重奏
7.1- DVD
- 英语
- 2022-05-10 22:13:52
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更新至第40集
大陆 / 国语 / 喜剧,爱情
段奕宏,郭碧婷,戴立忍,刘雅瑟,谢依霖,谢楠,冯馨瑶
6.0爱情进化论2014 -
HD
大陆 / 国语 / 剧情,爱情,歌舞
金城武,周迅,张学友,池珍熙,曾志伟,吴君如,薛之谦,尚铁龙,陈铜民
9.0如果爱 -
完结
中国大陆,中国台湾 / 国语 / 爱情
张雪迎,秦俊杰,黄圣池,陈欣予,黄德毅,袁子芸,李逸男,刘佳,宋海颉,施羽,麦迪娜,范晓东,丁可,代乐乐,李若嘉
8.0泡沫之夏 -
已完结
大陆 / 国语 / 爱情,悬疑
李婷婷,周澄奥,米咪,崔雨鑫,邵兵,倪景阳,冯家妹,吴丹,李至强,崔钟,钟燕平,王二莽
6.1离歌2024 -
HD中字
韩国 / 韩语 / 英语 / 剧情,喜剧,爱情,爱情片
全智贤,车太贤,金仁文,宋玉淑,韩振熙,玄淑熙,金一宇,徐东元,金敏载,李在浩,朴俊英,玄哲浩,赵庆勋,孙光业,李正学,陈泰贤,金哲秀,李无影,任豪,郭在容,梁金锡
8.2我的野蛮女友 -
已完结
日本 / 日语 / 爱情
木村良平,细谷佳正,南里侑香,远藤绫,诹访部顺一
8.6坂道上的阿波罗 -
完结
中国大陆 / 国语 / 爱情,剧情,爱情片
焦可然,韩纪辉
7.3夏小姐的先婚后爱 -
更新至第40集
大陆 / 国语 / 爱情,惊悚,奇幻,古装
周秀娜,方力申,林雪,谈莉娜,刘峻纬,黄俊淇,张建波,蔡紫芬,杨泽湖,蒙伟明,郝在冬,何美钿,贾康熙,阴海龙,范福林
2.0非狐外传 -
正片
中国大陆 / 国语 / 爱情
陈坤,林心如,杨雪,李晨,丁志城
6.8非你不可 -
HD
美国 / 英语 / 爱情
梅拉妮·萨内蒂,吉欧里奥·贝鲁蒂,James Andrew Fraser,Margaux Brooke,艾格尼丝·欧列,普鲁瓦·贝迪,Sahar Bibiyan,Cedric Cannon,Ned Van Zandt,Lauren Hopkins
6.0加百列的地狱2-9部 -
HD
中国大陆 / 国语 / 爱情
李思奇,文渊,王祖一,吕妍,余衍隆,谢泽成,叶皓然,孙佳,迪丽娜孜
2.9恋爱指南我指北 -
更新至第36集
大陆 / 国语 / 剧情,爱情
黄灿灿,罗子溢,严禹豪,林晖闵,张国柱,归亚蕾,金燕玲,九孔,郎祖筠,王冠逸,陈雅丽
4.0泡沫之夏2016
影片名称:四重奏
上映时间:1981
国家地区:法国
影片语言:英语
影片导演:詹姆斯·伊沃里
影片主演:阿兰·贝茨 玛吉·史密斯 伊莎贝尔·阿佳妮 安东尼·希金斯
资源更新:DVD
总播放次数:1
入库更新时间:2024-03-15 23:13:51
四重奏剧情:
It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
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