-
第81集
大陆 / 国语 / 喜剧,动作,古装
闫妮,姚晨,沙溢,喻恩泰,倪虹洁,姜超,肖剑,岳跃利,王磊,午马
6.0武林外传 -
已完结
大陆 / 国语 / 喜剧,爱情
高圆圆,姜武,李晨,郑恺,陈意涵,郭碧婷,刘涛,王自健,明道,萨日娜,张铎,大左,莫小奇,屠洪刚,英壮,朱佳煜,范明,江平,王彤,刘天池
6.0咱们结婚吧 -
第24集完结
大陆 / 国语 / 喜剧
张予曦,王子奇
9.0猜猜我是谁 -
已完结
大陆 / 国语 / 喜剧,动作,儿童,战争
赵泽文,张一山,小叮咚,胡天阳,丁柳元,谢孟伟,涩谷天马,韩英群,张政勇,祝新运,石小满,岳红,果靖霖,山崎敬一
7.0小小飞虎队 -
更新至index
香港 / 粤语 / 剧情,喜剧,爱情,家庭
张国荣,周星驰,张曼玉,吴君如,黄百鸣,陈淑兰,毛舜筠,李香琴,关海山,高志森,谷德昭,李丽珍,黄霑,黄光亮,何佩儿
6.0家有喜事 -
正片
中国大陆,中国香港 / 粤语,国语 / 喜剧,动作,犯罪
郭富城,林家栋,任贤齐,张可颐,林雪,卢海鹏,梁仲恒,鲍起静,王敏德,孙佳君,曾比特,符家浚,张松枝,姜卓文,陈毅燊,王颂茵,姜大卫,胡定欣
4.0临时劫案 -
更新至第30集
加拿大 / 英语 / 喜剧
Despina Mirou,Antonia Bogdanovich,Tess Spentzos,Adrian Frieling
6.0一键倾心 -
正片
中国大陆 / 国语 / 剧情,喜剧
大鹏,白客,庄达菲,王迅,孙艺洲,李乃文,欧阳奋强,童漠男,大木,晃晃,衣云鹤,杨磊,孔连顺,李栋,王学东,赵天爱,王皓,宋木子,合文俊,李飞,石老板,六兽,卢庚戌,鄂靖文,李萍,刘頔
1.0年会不能停! -
HD
香港 / 粤语 / 喜剧,动作,爱情
周星驰,张敏,吴孟达,张耀扬,黄一山,秦沛,苑琼丹,陈国新
1.0逃学威龙 -
HD
中国大陆 / 国语,中国手语 / 剧情,喜剧,家庭
雷佳音,马丽,赵丽颖,高叶,刘耀文,王骁,陈明昊,潘斌龙,张译,范伟,于和伟,许亚军,李乃文,蒋奇明,阿如那,杨皓宇,许静雅,乔杉,蒋诗萌,王沛禄,丁勇岱,刘奕铁,陈宣菲,史彭元,李晓川,杨一威,许文赫,宋木子,多习,飞凡,蒋鹏宇,王乃训,陈永胜,张壹男,黄炎,宋家腾,林博洋,张磊,李鲲
2.0第二十条 -
HD
中国大陆 / 国语 / 剧情,喜剧
贾玲,雷佳音,张小斐,杨紫,沙溢,乔杉,李雪琴,马丽,魏翔,赵海燕,张琪,沈春阳,沈涛,许君聪,卜钰,朱天福,刘宏禄,张泰维,郭宇鹏,李海银,李国麟,张桂玲,孙婉竹,赵婷婷,法志远,姬晴,曹贺军,刘頔,贾文田,雷鸣武
4.0热辣滚烫 -
正片
中国大陆 / 国语 / 剧情,喜剧,运动
沈腾,范丞丞,尹正,张本煜,孙艺洲,魏翔,贾冰,郑恺,冯绍峰,黄景瑜,刘昊然,于适,胡先煦,阎鹤祥,周野芒,高华阳,孙强,范高翔,郝瀚
8.0飞驰人生2
影片名称:女巫1967
上映时间:1967
国家地区:其它
影片语言:其它
影片导演:莫洛·鲍罗尼尼 影片导演:维托里奥·德西卡 影片导演:皮埃尔·保罗·帕索里尼 影片导演:佛朗哥·罗西 影片导演:卢基诺·维斯康蒂
影片主演:西尔瓦娜·曼加诺 安妮·吉拉尔多 弗朗西斯科·拉瓦尔 马西莫·吉洛蒂 维罗尼卡·旺代勒 埃尔莎·阿尔巴尼 克拉拉·卡拉马伊 玛丽卢·托洛 诺拉·里奇 迪诺·梅莱 赫尔穆特·贝格 布鲁诺·菲利皮尼 莱斯利·弗伦奇 阿尔贝托·索尔迪 托托 尼内托·达沃利 劳拉·贝蒂 克林特·伊斯特伍德 Valentino Macchi Pietro Torrisi 马里奥·西普利亚尼 彼得罗·托尔迪
资源更新:DVD
总播放次数:1
入库更新时间:2024-03-15 23:12:47
女巫1967剧情:
"The Witch Burnt Alive"
After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous.
"Community Spirit"
Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through.
"The Earth Seen from the Moon"
The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific.
"The Sicilian"
Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories.
"A Night Like Any Other"
Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
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