不安1954
2.0- HD
- 德语
- 2023-06-04 15:52:43
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已完结
中国大陆 / 国语 / 剧情
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6.0当我跑步时我什么都不想 -
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3.0天下父母心 -
HD
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3.0爱情进化论 -
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HD
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完结
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尤勇智,李幼斌,耿乐,杜雨露,宋佳,史兰芽,蒋林静,许月婷,蒋昌义,谷伟,谢伟才,张柏俊,杨和平,葛石柱,虞军豪,王伟军,杨洪武,张弓,刘旭,王岗,刘欣,左佰学,王响伟,王荫斋,任宝成,闵政,丁正勇,李超,雷雷,付枫楠,李霆,周海峰,张丹丹,王真真,李建峰,过齐鸣,王庆,任学海,奕祖迅,张全胜,张春华,赵军凯,刘洋,张鸿斌,张宁,李磊,石亚军,蒋冰,海燕,李新华,郭洪杰,毕静,于天川,赵贵祥
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HD
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9.0恰同学少年 -
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张仲文彭鹏岳华何藩田琛李影毛威高宝树
1.0西游记1966 -
完结
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曾黎,刘小锋,张萌
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更新至58集
美国 / 英语 / 剧情,家庭
Mira,Sorvino,Barry,Pepper,Cole,Hauser,Kate,Levering,Maxwell,Perry,Cotton
5.0蒲公英的灰尘 -
已完结
中国大陆 / 国语 / 剧情
李湘,夏雨,王学兵,牛振华,杨贵媚,沈晓海,田蕾,梁冠华,张茜,李烨,尹明,文兴宇,代乐乐,李连义
5.0佛跳墙
影片名称:不安1954
上映时间:1954
国家地区:西德
影片语言:德语
影片类型:剧情
影片导演:罗伯托·罗西里尼
资源更新:HD
总播放次数:1
入库更新时间:2024-03-15 18:31:57
不安1954剧情:
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
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